I grew up in Staten Island in a house that was unattached on all sides. It was grey then, which seemed boring. It creaked all over making it impossible to sneak down the stairs at night. When you enter the house you are standing in what we call the porch. It is an entry room. I once threw up in this room sitting beside my father’s stereo.
I grew up in Staten Island in a house that was unattached on four sides. It was grey then, a good color for a house. Dependable I think in retrospect. I am fairly sure that the current color is cauliflower blue. On the left side, next to the side door lives an awkward fig tree on the left side, my father’s project. The leaves remind me of plants I have seen in Mexico.
I grew up in Staten Island in a house that is unattached on all four sides. As a child I was not adventurous. I spent time carefully crawling around craters, terribly afraid of falling. In adolescence my plump self ran after boys and starred in school plays. My hair was bushy framing a smooth, winter porcelain puffy face that quickly became splotchy after being physical. Somewhere I learned to curse less poetically than a sailor, causing me to cringe when I watch the only family video with sound we have.
I grew up in Staten Island in a grey house unattached on all four sides. The right side is the most secret side; A narrow space between it and the neighbor’s fence, touched by little daily sunlight. The grass there always feels cool on bare feet. For a few weeks every spring a row of Lilies of the Valley grow there in a patch of dirt deeply shaded by the house itself. These flowers fascinated me. I waited for them every year unaware as to whether my mother had planted them or they were perennials. The smell of the white bells is delicious giving the ride side of the house a little known mystical vibe perhaps related to the valley homeland of these Lilies.
I grew up in Staten Island in a grey house unattached on four sides; an old house with 14 steps leading to the second floor. My bedroom, the middle of three rooms on that floor had a long narrow closet. As a teenager this was the safest possible place. Dark, cool and tear soaked. I sometimes slept there engaged in useless conversations or merely breathing in the ear of a friend though the phone. This was a box in which I could unleash the agony that often ensued due to my incredible inclination towards the dramatic.
I grew up in Staten Island in a blue house unattached on all four sides. Today, accustomed to sleeping in the urban safety of an apartment, when I sleep in Staten Island, I feel the vulnerability of this house. I imagine a tornado lifting it off the ground. If my parents die, they will haunt this house. No room will be safe, especially theirs, the room to the left of my room with three large windows facing the street and an entrance to the attic through a less accepting closet, a hiding place, but not a refuge.
I grew up in Staten Island in a blue-grey house unattached on all four sides, free to flaps its arms up and down and fly away. It’s head, a triangle on top of an assortment of rectangles and squares. It’s face, neck and heart, the bedrooms, closets and bathrooms. Its’ middle, a living room with 4 entrances, a kitchen, and dining room; legs, knees and feet, a basement, kept cool by the earth, a place for laundry and storage. The house resembles the house that children draw to represent a house. It could star in a musical or live anonymously for the rest of its’ days.
I grew up in a house on Staten Island that is unattached on all four sides. My parents still live in this house. I sleep poorly in this house, on a mattress instead of a futon, waking frequently.
I grew up in a house on Staten Island. It is unattached on all four sides. The wooden floors are hidden by thick ivory carpeting, which helps keep the house warm. My father’s stereo is in what we call the dining room, inside a tall rectangular shelf. Two glass doors that magnetically seal shut with small magnets protect the stereo system. The sound of these doors sealing and unsealing is neat and handsome. At the bottom of the shelf is a square space for records; on top are rectangles for the stereo, the CD player and on top the record player. It all makes sense. The shelf has small wheels, but is difficult to move. If you were to move it, you would see flat impressions where the wheels dug into the carpet, making a home.